12/27/2023 0 Comments Arri orbiter fresnel![]() ![]() Įquipped with a display, status LED, and a high-resolution encoder, the Orbiter Fresnel lens offers information that is easily accessible. The Orbiter Fresnel lens is a great addition to the already existing Orbiter Open Face Optics 15 Degree, 30 Degree, and 60 Degree. The large zoom range of 15 to 65 Degree is fully motorized and can be precisely positioned while being controlled locally via Orbiter's Control Panel or remotely by DMX/RDM or IP based (ArtNet or sACN).Ĭombined with Orbiter's ARRI Spectra light engine, the high-end optical system is perfectly suited for cinematic application, broadcast studios, as well as theaters or live productions. Its lens diameter of 285 mm / 11.2 in equals that of the True Blue ST2/3 and T5. Despite its large aperture, the Orbiter Fresnel lens housing is compact (approx. The Fresnel lighting character works best with a large aperture and a wide zoom range. The light output of Orbiter with the Fresnel lens is comparable to the ARRI L-Series LW and True Blue 5T2/3 with 2000 W Tungsten bulb. ![]() Its redesigned mounting points secure an optional yoke for positioning with a +/-90° tilt, and the yoke features a standard 1 1/8″ Junior pin mounting point.The Orbiter Fresnel Lens creates a precise light spot with a soft single shadow, and it delivers true Fresnel output with a real Gaussian field of light. The light is weatherproof and can resist dust and water splashes. It also features a sync input for future applications that will sync with your camera. Interfaces include 5-pin DMX in and out, two LAN ports, two USB Type-A ports, a USB Type-C port, and an SD slot for future upgrades. It also has three operational modes-high color rendering, high output, and low noise-for your preferred mode performance. ![]() The updated LiOS2 features eight color modes such as CCT, HSO, RGBACL, Gel select, X/Y coordinates, source matching, effects, and a custom mode that allows you to save over 240 favorites that can be applied to a DMX or interface. Using ARRI’s Lighting Operating System (LiOS2 available for download), you can control all color modes, effects, and lighting grids right from the built-in control panel. The light can also be used with separately available light banks, barndoors, honeycombs, and other light-shaping accessories with the appropriate adapter. Available optics include 15, 30, and 60° open-face optics that produce a directional beam 15, 25, and 35° projection optics that produce a sharp, focused beam with evenly distributed color and small, medium, and large domes that provide a large area of soft light. The Orbiter features a highly portable design that can change its optics with a breeze using ARRI’s Quick Lighting Mount (QLM), a bayonet-style connection similar to a camera lens mount. The light also features multiple sensors, including a smart color sensor mode to sense the surrounding light and adjust its output for fine color accuracy, a 3-axis accelerometer that senses pan/tilt/roll movements, an ambient light sensor to keep your display readable, heat sensors to keep the light cool, and a magnetometer to orient your light within its geography. Featuring a high CRI of 98 and a TLCI of 95, it offers a 2000 to 20,000K color temperature range to match just about any lighting situation, and it also features 100 to 0% dimming with smooth, continuous adjustment. Sporting a processor four times faster than the SkyPanel, ARRI’s 190-LED Spectra system features a wide range of color features allowing you to create an enormous range of colors with its six-color light engine, including red, green, blue, amber, cyan, and lime LEDs. Launch a wide spectrum of brightness and color into your studio with the blue/silver-finished ARRI Orbiter LED Light a tunable color light system with a powerful color engine and versatile, changeable optics. ![]()
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